Praise -- Title Page -- Dedication -- Acknowledgments -- A PREFATORY "NOTE TO THE READER" -- Introduction -- CHAPTER ONE - THE COLONIZED RHYTHM NATION -- DEFINING COLONIALISM: A BRIEF HISTORY -- RACE AND RACISM WITHIN THE COLONY -- COLONIAL ILLUSIONS AND DEPENDENCY -- CHAPTER TWO - MEDIA AS IDEOLOGY, CULTURE, AND COLONIALISM -- CHAPTER THREE - EDUCATION AND CONCEPTUAL BOUNDARIES -- CHAPTER FOUR - JOURNALISM AND CONCEPTUAL BOUNDARIES -- CHAPTER FIVE - REVISITING THE CORPORATION AND CULTURAL INDUSTRY -- CHAPTER SIX - THE POLITICS OF POPULAR CULTURE -- CHAPTER SEVEN - INTELLECTUAL PROPERTY, COPYRIGHT, AND THE OWNERSHIP OF THOUGHT -- CHAPTER EIGHT - PAYOLA AND PLAYLISTS -- CHAPTER NINE - WASHINGTON, D.C.: A CASE STUDY IN THE COLONIZING FUNCTION OF RADIO -- CHAPTER TEN - NATIONAL PUBLIC RADIO AS FANON'S RADIO-ALGER -- CHAPTER ELEVEN - MANAGED OUTCOMES -- CHAPTER TWELVE - THE MIXTAPE AND EMANCIPATORY JOURNALISM -- CHAPTER THIRTEEN - FREEMIX RADIO: THE ORIGINAL MIXTAPE RADIO SHOW -- CHAPTER FOURTEEN - WHITE LIBERALISM AND "PROGRESSIVE" JOURNALISM -- CONCLUSION -- SELECTED BIBLIOGRAPHY -- NOTES -- ABOUT THE AUTHOR: JARED BALL -- SUPPORT AK PRESS! -- Copyright Page.