Cover -- Contents -- List of Figures -- List of Tables -- Acknowledgements -- Foreword (Julian Stringer) -- Introduction (Andrew David Jackson and Colette Balmain) -- Part I The South -- Introduction to Part I -- 1 It's a Roughneck World: Male Solidarity across Generations, Classes and Races in the TV Drama Get Up (Jacob Ki Nielsen) -- 2 Blood is Thicker than Water, or is It? Depictions of 'Alternative Families' in Contemporary Korean Cinema (Ji-Yoon An) -- 3 The Narrative of the Misfit among South Korean Game Developers (Chloé Paberz) -- 4 Locating Cosmopolitanism in the Films of E J-Yong (Chi-Yun Shin) -- Part II The South and the North -- Introduction to Part II -- 5 'Arirang': Addressing the Nation in South and North Korea (Jake Bevan) -- 6 Now on My Way to Meet Who? South Korean Television, North Korean Refugees and the Dilemmas of Representation (Stephen J. Epstein and Christopher K. Green) -- 7 Comedy and Ideology My Family's Problem (Immanuel Kim) -- 8 DPRK Film, Order No. 27 and the Acousmatic Voice (Andrew David Jackson) -- 9 How Are Historic Events Remembered? North Korean War Films on the Inchon Landing Operation (Hana Lee) -- Part III The Global -- Introduction to Part III -- 10 Ch'unhyang at War: Rediscovering Franco-North Korean Film Moranbong (1959) (Mark Morris) -- 11 Framing South Korea and Vietnam's Past and Present in Muoi: The Legend of a Portrait (Jessica Conte) -- 12 Searching for Traces of Absence: Korean Diaspora in Contemporary Korean Cinema (Juyeon Bae) -- 13 Cosmopolitan Strivings and Racialisation: The Foreign Dancing Body in Korean Popular Music Videos (Cedarbough T. Saeji) -- 14 Inappropriate Desire and Heterosexuality Negotiated: The Case of Women K-Drama Watchers (Marion Schulze) -- Notes on Contributors -- Index.