CONTENTS -- List of Illustrations -- Keynote Speech from the Twenty-eighth Mid-America Theatre Conference, Changing Theatrical Landscapes: Mapping New Directions in History, Pedagogy, and Practice in the Twenty-first Century -- Between the Lines: Editing the Notebooks of Tennessee Williams -- Research and Performance: A Roundtable on the Future of the Archive -- Performance in the Archives -- Performing Arts Archives: Dynamic Entities Complementing and Supporting Scholarship and Creativity -- eBay, Wikipedia, and the Future of the Footnote -- Period Rush: Affective Transfers in Recent Queer Art and Performance -- Goon, Warrior, Communitarian, and Mythos: The Lincoln Legend of Dramatic Literature and Live Performance -- Ole Olson and Companions as Others: Swedish-Dialect Characters and the Question of Scandinavian Acculturation -- Games with Ghosts in Müller's Explosion of a Memory: A Study of Pre-ideology in the Müller-Wilson Collaboration -- On the Emergence of European Avant-Garde Theatre -- BOOK REVIEWS -- Felicia Hardison Londré, The Enchanted Years of the Stage: Kansas City at the Crossroads of American Theatre, 1870-1930 -- Jonathan L. Chambers, Messiah of the New Technique: John Howard Lawson, Communism, and American Theatre, 1923-1937 -- Weldon B. Durham, Liberty Theatres of the United States Army, 1917-1919 -- Arthur Frank Wertheim, Vaudeville Wars: How the Keith-Albee and Orpheum Circuits Controlled the Big-Time and Its Performers -- Kristina Hinz-Bode, Susan Glaspell and the Anxiety of Expression -- Daphne A. Brooks, Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850-1910 -- Judith L. Stephens, ed., The Plays of Georgia Douglas Johnson: From the New Negro Renaissance to the Civil Rights Movement -- Philip Auslander, Performing Glam Rock: Gender and Theatricality in Popular Music.

Tennessee Williams, Notebooks, ed. Margaret Bradham Thornton -- Andrew B. Harris, The Performing Set: The Broadway Designs of William and Jean Eckart -- Paul Kassel, Acting: An Introduction to the Art and Craft of Playing -- Scott L. Newstok, ed., Kenneth Burke on Shakespeare -- Barbara Ozieblo and María Dolores Narbona-Carrión, eds., Codifying the National Self: Spectators, Actors, and the American Dramatic Text -- Joseph Donohue, Fantasies of Empire: The Empire of Theatre of Varieties and the Licensing Controversy of 1894 -- David Krasner, ed., A Companion to Twentieth-Century American Drama -- Phillip B. Zarrilli, Bruce McConachie, Gary Jay Williams, and Carol Fisher Sorgenfrei, Theatre Histories: An Introduction -- Martha C. Carpentier, ed., Susan Glaspell: New Directions in Critical Inquiry, and Martha C. Carpentier and Barbara Ozieblo, eds, Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell -- Kim Marra, Strange Duets: Impresarios and Actresses in the American Theatre, 1865-1914 -- Books Received -- Contributors.