Ireland and Popular Culture için kapak resmi
Ireland and Popular Culture
Başlık:
Ireland and Popular Culture
Yazar:
Mikowski, Sylvie.
ISBN:
9783035304770

9783034317177
Yazar Ek Girişi:
Yayın Bilgileri:
Oxford : Peter Lang AG, Internationaler Verlag der Wissenschaften, 2014.
Fiziksel Tanımlama:
1 online resource (265 pages)
Seri:
Reimagining Ireland, Volume 54

Reimagining Ireland ; Volume 54.
İçerik:
Cover; Contents; Acknowledgments; Sylvie Mikowski Introduction; Darryl Jones Dracula Goes to London; Sandra Mayer The Importance of Commemorating Literary Celebrity: Oscar Wilde and Contemporary Literary Memorial Culture; Xavier Giudicelli Dorian Gray in/and Popular Culture: Text, Image, Film; Claire Poinsot 'Souls the like of ours/Are not precious to God as your soul is': Elite, Popular and Folk Culture in William Butler Yeats' Plays; Adrienne Janus Listening High and Low: Yeats, Joyce, Beckett and the Condition of Music in Modernist Irish Literature.

Yannick Bellenger-Morvan C.S. Lewis: An Experiment in Popular Literature?Kevin Wallace 'Fintan O'Toole: Power Plays' and the High Art/Low Art Discourse in the Narrative of Irish Theatre; Chantal Dessaint-Payard What Happened To Anna K? or the Dissemination of Cultures in Fox, Swallow, Scarecrow by Éilís Ní Dhuibhne; Frédéric Armao The Folklore of Spring in Ireland: A Dichotomy of Traditions; Pádraic Frehan National Self-Image: The Imagological Impact and Subsequent Contemporary Permeations of Celtic Mythology in Ireland's School Literature from 1924.

Valérie Morisson From Hinde to Hillen: Postcards and the Issue of Authenticity in Popular CultureAlexia Martin The Carnsore Point Festival (1978-1981): Between Antinuclear Rally and Cultural Event; Stephen Boyd Surfing a Postnationalist Wave: The Role of Surfing in Irish Popular Culture; Ruth Alexandra Moran Please Say Something (2009): Digital Aesthetics and Popular Culture; Notes on Contributors; Index.
Özet:
This book explores the differences between 'high' and 'low' cultures in an Irish context, arguing that these differences require constant revision and redefinition. The volume includes analysis of famous Irish writers such as Bram Stoker, Oscar Wilde, W.B. Yeats, James Joyce and Samuel Beckett, who are commonly regarded as part of the canon of elite Irish literature but who have either used elements of popular culture in their work, or else occupy a special position in popular culture themselves. Other chapters examine the elusiveness of the boundary between elite and popular culture using obj.
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